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s blog post here about books having to follow the model of music and accepting free distribution as a reality. As I [...]]]>There are two things that seldom go addressed in this issue, I feel. One: how do cultural artifacts get made when nobody is willing to pay for them? And two: do we have to accept the idea of a free use, advertising-revenue driven model? I think that’s highly problematic. Depending on the media, I would rather pay for a service than get it for free and have to put up with advertising. The current complacency in the face of relentless advertising is vaguely disturbing. Even on my favourite free sites, such as The Guardian (which is also openly musing about charging fees) I would much rather subscribe at $10-$40 /year instead of being advertised to. I think there is more integrity in paying for something that you clearly value rather than NOT paying and passively accepting the relentless drone of commercial imagery.
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